Archive for the ‘Damien Hirst’ Category

800 Warhols

July 1, 2009

Modern Art. Ungrockable. What’s that square? what are those medicine bottles in a closet? and that pipe?

But then, what’s poetry? what are aphorisms? what are Zen stories all about?

if you want to shoot – shoot, don’t hide behind concise riddles and sparse words. DESCRIBE AT LENGTH! SHOW IT! SHOOT IT!

That’s it – Modern Art doesn’t shoot at anything. It makes you re-think, because you have been habituated to automatically respond to imposed categories. Even the fact that Art – that noble form of human expression – has  manifestly become a simple object of commerce, auctions, and, god forbid, markets, is manifestly part of the essence of what modern art is, part of this re-thinking.

What is it all, a joke? an art nobody understands, being bought for millions of dollars by cracked, eccentric billionaires that got too much money to spend… those damn black squares, you paint one and… better than buying a lottery ticket.

Nevertheless, the following 4 minutes vid of  anti damien-modern-art criticism is a real pl/tr/easure.

Robert Hughes: The Business of Art. Damien Hirst is all hype

Each Bottle is a Unique Individual

July 13, 2008

 

Medicine Bottles Waiting in Line For an iPhone 3G, 2008

 

Damien Hirst, 1989

Medicine Bottles in a Closet.

and see Each Fish is a Unique Individual

Hirst’ Shark and Perec’s Room

June 8, 2008

The Physical Impossibility of Death in the Mind of Someone Living

Damien Hirst, 1991

Some banal questions before some even more banal ones:

Is it a shark or a work-of-art? It’s both, no? it’s “a shark placed inside a work”, and it’s “a work placed inside a museum” that makes this shark in a work in a museum a work-of-art. Like Duchamp’s fountain.

Major changes to the object’s native territory provoke shifts in meaning; it’s the re-territorialization into a different topology that reincarnates the object as a different semantic object.

But what about minor changes within the same territory – so minor we can hardly notice?

When, in a given bedroom, you change the position of the bed, can you say you are changing rooms, or else what? (cf. topological analysis)

Georges Perec, Species of Spaces

Barton Fink’s room perpetual metamorphosis

Or in the case of Hirst’ Shark – The Shark began to disintegrate (poor preservation) and so Hirst was hired to replace it with a brand new shark, making sure this time the materials used in the preservation process will beat Time for a little longer.

A philosophical question was acknowledged by Hirst, as to whether the replacement shark meant that the result could still be considered the same artwork. He observed:

“It’s a big dilemma. Artists and conservators have different opinions about what’s important: the original artwork or the original intention. I come from a conceptual art background, so I think it should be the intention. It’s the same piece. But the jury will be out for a long time to come.”

Let alone, our language.

Each Fish Is a Unique Individual

May 14, 2008

 
 

I s o l a t e d   E l e m e n t s

Swimming in the Same Direction

for  the  Purpose  of  Understanding

Damien Hirst, 1991

[Twit Twit Robots, 2008]